Malraux, Literature and Art
 
‘Great artists are not transcribers of the world, they are its rivals.’
Malraux, The Voices of Silence

Essays on
  • André Malraux
  • the theory of art and literature
by Derek Allan
    André Malraux in a television program about art (1975)




Malraux and the theory of art

New:  André Malraux's Theory of Art - Challenges to Traditional Aesthetics (avec version française)

Interview about Malraux
Rick Visser from the weblog Artrift asks me a series of questions about Malraux and art.


André Malraux and the Challenge to Aesthetics
Concerns Malraux's two key works on the visual arts, The Voices of Silence and The Metamorphosis of the Gods

André Malraux and the Modern, Transcultural Concept of Art
Examines Malraux's account of the emergence of the idea of 'art' in European culture from the Renaissance onwards, and the subsequent transformation of that idea, post-Manet, resulting in the modern concept of art which encompassed, for the first time, the works of all cultures. The analysis is based on The Voices of Silence and The Metamorphosis of the Gods.  The article was published in Literature and Aesthetics Vol 15, No 1, December 2005 (a special issue entitled Before Pangaea).  

Letter to Quadrant (an Australian monthly) concerning an article on Malraux in their May 2007 issue.

Gombrich on Malraux (a short exchange on the blog 'elusive lucidity'.)

"Reckless Inaccuracies Abounding": André Malraux and the Birth of a Myth.  Journal of Aesthetics and Art Criticism. Vol. 67, Issue 2. pp 147-158. Takes issue with the persistent myth, fostered by E.H. Gombrich and others, that Malraux's use of art history is unreliable. Also discusses certain issues at the intersection of art history and aesthetics.  Abstract


Art and Time

The relationship between art and time - the temporal nature of art - is a key issues to be addressed in considering the nature of art,  but the issue is almost completely neglected in contemporary aesthetics (whether 'analytic' or 'continental'). The following articles, which are influenced in different ways by Malraux's thinking, address aspects of the question.

An intellectual revolution: André Malraux and the temporal nature of art. Journal of European Studies.2009; 39: 198-224. Explains Malraux's revolutionary understanding of the relationship between art and time. Also discusses certain responses to this aspect of Malraux's thought - e.g. by Maurice Blanchot - and an attempt in 'analytic' aesthetics to come to grips with the question of art and time. Abstract

Art, Time and Metamorphosis  An exploration of the basic issues involved in the question of the temporal nature of art.

Art and History: Taking the Past Seriously  Examines certain arguments in contemporary aesthetics which marginalize historical and anthropological evidence concerning art.

André Malraux, l’art et le temps  Paper in French presented in 2005 at the Sorbonne under the auspices of the Amitiés Internationales André Malraux.




My publications and conference papers

My profile on Philpapers

My academia.edu page



NEW BOOK  

Art and the Human Adventure: André Malraux's Theory of Art.

Derek Allan


For the first time, a comprehensive, step by step exposition of Malraux’s theory of art as presented in The Voices of Silence and The Metamorphosis of the Gods. Suitable for both newcomers to Malraux and more advanced students, the study also examines critical responses by figures such as Maurice Merleau-Ponty, Maurice Blanchot, Pierre Bourdieu, and E. H. Gombrich, and compares Malraux’s thinking  with aspects of contemporary Anglo-American aesthetics.

E. H. Gombrich once dismissed Malraux's account of art as “sophisticated double-talk”. This study reveals that, on the contrary, Malraux offers us a thoroughly coherent and highly enlightening system of thought, with revolutionary implications for the way we think about art.

30 illustrations, 23 in colour.

Link to publisher: Rodopi
Link to Amazon



Malraux's first three novels La Condition Humaine - Cover

Theory of literature

... it is crucial to recognise that the concept of ‘reality’, ‘the real world’ etc must not be left in a conceptual limbo and waved away with cursory phrases such as ‘the world around us’, ‘the actual world’, ‘the rest of the world in which aesthetics objects exist’, or ‘the great world’.



Other issues

Notes on The Art of Other Cultures


Art and Freedom  
 
Pharaoh Sesostris III, c 1850 BC. Louvre



 

Links

Thanks


Some painting and sculpture I like:

Page 7


Email:  derek.allan@anu.edu.au

Updated: 25 January 2010